So you practised for 10,000 hours but you’re still not an expert. What happens next? How to learn deliberate practice: https://writingslowly.com/2026/06/15/how-to-learn-deliberate-practice.html

#ShuHaRi #Expertise #LearningStrategies #PersonalGrowth

How to learn deliberate practice

Have you heard of ‘deliberate practice’?

You might well have, because Swedish psychologist Anders Ericsson’s work on what makes an expert has been hugely influential over the years. His co-authored original paper from 1993 1 has been cited more than 3,000 times and it has spawned more than a few popular books, including Geoff Covin’s Talent Is Overrated: What Really Separates World-Class Performers from Everybody Else, Malcom Gadwell’s Outliers: The Story of Success, and Daniel Coyle’s The Talent Code: Greatness Isn’t Born. It’s Grown. Here’s How.

Oh, those titles.

The key message of ‘deliberate practice’ is simple but not obvious. If you want to become an expert you have to do the right kind of practice. This was stated very clearly in Ericsson’s widely-read book, Peak: Secrets from the New Science of Expertise (2016):

“If you are not improving, it’s not because you lack innate talent; it’s because you’re not practicing the right way. Once you understand this, improvement becomes a matter of figuring out what the ‘right way’ is.”

This is an attractive message because it’s very optimistic. It encourages people to overcome the fatalistic worry that somehow, maybe due to their genes or their upbringing, ’they’re just not cut out for it’.

Instead of being resigned to your fate, you can change it. And the key? Deliberate practice!

Unfortunately, the strong popular interest has warped some of Ericsson’s key ideas about how to gain expertise. Two concepts in particular have made it hard to move forward productively.

First, while Ericsson’s clear emphasis on ‘deliberate practice’ is very helpful, most commentators have gone into great detail on the practice side of the equation, while underplaying the deliberate part. Where exactly are you supposed to get the deliberate part from? How is a beginner supposed to know what is the right kind of practice to pursue?

This has led to the second unhelpful concept, that experts basically just needed ‘10,000 hours’ of practice to develop their skills. Here’s Malcolm Gladwell popularising precisely this (incorrect) point:

“researchers have settled on what they believe is the magic number for true expertise: ten thousand hours.” – Malcolm Gladwell, Outliers.

But it was never about merely practicing a lot. It always mattered what you did with your practice. As a result, Ericsson has spent a lot of effort clarifying his position (2020), which itself has led to yet further misunderstandings (Hambrick et. al. 2020).

In fact, Ericsson and his collaborators have been quite clear on where you’re supposed to learn the right kinds of practice. In his book Peak: Secrets from the New Science of Expertise he says:

“Even the most motivated and intelligent student will advance more quickly under the tutelage of someone who knows the best order in which to learn things, who understands and can demonstrate the proper way to perform various skills, who can provide useful feedback, and who can devise practice activities designed to overcome particular weaknesses.” – Anders Ericsson, Peak: Secrets from the New Science of Expertise.

And who is this person, the one who knows the best order to learn, who can demonstrate how to do it, who can give feedback and devise practice exercises? Well, there’s no mystery and I’m sure you’ve already guessed: yes, it’s a teacher.

Here’s Ericsson again:

“[A good teacher] is particularly important . . . where the training is cumulative, with the successful performance of one skill often depending on having previously mastered other skills. A knowledgeable instructor can lead the student to develop a good foundation and then gradually build on that foundation to create the skills . . . no student, no matter how motivated, can expect to figure out such things on his or her own.” – Ericsson 2020, p.108

And for anyone who might have missed it, he said it yet again:

“Deliberate practice requires a teacher who is capable of individualizing instruction and practice and knowledgeable of practice methods with verified performance outcomes.” – Ericsson 2020, p.163

So the message is crystal clear: if you want to become an expert, you need to do the right kind of practice, which is the kind of practice you learn from a good teacher.

Unfortunately, this is not at all the message that has been taken from Ericsson’s work and regurgitated in a thousand think pieces, articles and books. Pick up almost any popular non-fiction book on learning and you’ll find in few if any references to teachers, let alone the idea that teachers might be important for learning.

Malcolm Gladwell’s 2008 book, Outliers, for example, was very popular in its day. It mentions teachers in a handful of places but these references are all just in passing. Nowhere did the author suggest a teacher might be useful in any way to help learners gain expertise, even though this is what the book is all about.

He’s not alone.

Try it yourself. I challenge you to find a popular book on learning that recognises the importance of teaching.

To give another example, I picked up Ultralearning by Scott H. Young (2019). Here, as with many self-help books, it’s as though learning is viewed through the lens of extreme individualism, where everything is up to the lone learner and no help is needed from anyone else, or even worth mentioning. Young does a little better in his 2024 book, Get Better at Anything: 12 Maxims for Mastery. In the introduction he mentions how he wrote his new book partly to explore “how teachers, coaches, parents, and those responsible for shaping learning within an organization can cultivate improvement.”

It’s a worthy aim. Unfortunately, this is the last we hear about it.

It’s as though the self-help genre has a dirty little secret: we’ll claim you can do anything yourself, but we’ll never mention you could also just get someone to help you.

An honourable mention, however, must go to Daniel Coyle’s 2009 book The Talent Code, which not only mentions teachers numerous times but also devotes a whole chapter to them. But this still seems to be the exception rather than the rule.2

To repeat: the uncanny silence regarding the need for teachers might suit the self-help formula, but it’s pretty much the opposite of what Ericsson and his co-authors have been saying for decades. The value of teachers to shape and guide deliberate practice is a theme that runs right through his work. Here he is way back in 1993, actually making teachers an integral part of the very definition of deliberate practice:

“The teacher designs practice activities that the individual can engage in between meetings with the teacher. We call these practice activities deliberate practice, and distinguish them from other activities. (1993:368)

One of the factors that made me decide to write my book, Shu Ha Ri: The Japanese Way of Learning for Artists and Fighters, was a growing frustration with the way so many existing titles about learning completely ignored the essential role of the teacher-student relationship. It seemed to me that the traditional Japanese framework of Shu Ha Ri had something useful to say in this context. The process of learning is exactly that: a process. In fact, it’s a process of learning-and-teaching (if only there was a single word for this!) and I saw Shu Ha Ri as a clear, distinctive, and above all useful way of framing that process.

I was also frustrated because though a few western voices had mentioned the concept, no one had given it an accessible introduction. In fact, they still haven’t. Not long after my book came out, the writing team of Hector Garcia and Nobuo Suzuki published, in Spanish, Shuhari: The Three-Step Japanese Path to Lifelong Growth and Success. It appears in English in September 2026. But still, the references in this work are largely to non-Japanese sources, and there’s little exploration of the origins and context of the concept in Japanese culture.

In contrast to superficial treatments, Hermann Bayer’s Analysis of Shu Ha Ri in Karate-Do is one of the most extensive explanations of the context of Shu Ha Ri I’ve encountered, and I wrote an appreciative review. But Bayer’s central interest is in the history of Okinawan karate. He’s at pains in his very well-researched book to emphasise that Shu Ha Ri is a mainland Japanese concept, not an Okinawan one. Casual readers just looking for a general introduction to Shu Ha Ri might be overwhelmed by this passion for the authenticity and purity of Okinawan martial arts.

So anyway, I wrote the book on Shu Ha Ri, and as you can see, I’m still thinking about the learning process and the ways in which we can learn from traditional Japanese approaches, without idealising them.

Meanwhile, if you want to become an expert, it remains important to avoid the trap of naive practice, where you just rack up the hours (10,000!) in the hope that some of it will surely stick.

“This is naive practice in a nutshell: I just played it. I just swung the bat and tried to hit the ball. I just listened to the numbers and tried to remember them. I just read the math problems and tried to solve them.” – Ericsson and Pool, 2016:14.

Instead, you could do worse than heed the advice of an old Japanese saying which I quoted in my book:

“If it takes three years, find a good teacher”.


Oh, and now I’ve reached the end, I just realised ‘delibrate practice’ is a great example of the kind of two-word concept I’ve written about in ‘Improve your notes and your life with two-word phrases’.

References

Bayer, H. (2025). Analysis of Shu Ha Ri in Karate-Do: When a martial art becomes a fine art. YMAA Publication Center.
Coyle, D. (2009). The talent code: Greatness isn’t born. It’s grown. Here’s how. Bantam Books.
Ericsson, K. A. (2020). Towards a science of the acquisition of expert performance in sports: Clarifying the differences between deliberate practice and other types of practice. Journal of Sports Sciences, 38(2), 159–176. https://doi.org/10.1080/02640414.2019.1686942
Ericsson, K. A., Krampe, R. T., & Tesch-Römer, C. (1993). The role of deliberate practice in the acquisition of expert performance. Psychological Review, 100(3), 363–406. https://doi.org/10.1037/0033-295X.100.3.363
Ericsson, K. A., & Pool, R. (2016). Peak: Secrets from the new science of expertise. Houghton Mifflin Harcourt.
García, H., & Suzuki, N. (2026). Shuhari: The three-step Japanese path to lifelong growth and success. Tuttle.
Gladwell, M. (2008). Outliers: The story of success. Little, Brown and Company. Griffiths, R. (2025). Shu Ha Ri: The Japanese Way of Learning, for Artists and Fighters. Sydney, NSW: Detour Editions.
Hambrick, D. Z., Macnamara, B. N., & Oswald, F. L. (2020). Is the deliberate practice view defensible? A review of evidence and discussion of issues. Frontiers in Psychology, 11, Article 1134. https://doi.org/10.3389/fpsyg.2020.01134 Young, S. H. (2019). Ultralearning: Master hard skills, outsmart the competition, and accelerate your career. HarperCollins Publishers.
Young, S. H. (2024). Get better at anything: 12 maxims for mastery. HarperCollins Publishers.


  1. ‘The role of deliberate practice in the acquisition of expert performance’ ↩︎

  2. I’m not saying there are no books about teaching. I’m just saying they tend to be confined to the ‘pedagogy’ category and aimed at teachers, not learners. ↩︎

Pelicans? Well if you insist.

A group of pelicans with large bills and distinctive black and white plumage are floating on the water.

#BirdsOfAustralia
#WildlifePhotography #FeatheredFriends

Why must sci-fi author Ted Chiang state in The Atlantic that AI is not conscious? I call this La Stilla Syndrome: my Jules Verne-inspired name for the delusion our technology is alive. Chiang doesn’t buy it and nor should we.

#SciFi
#ArtificialIntelligence
#TedChiang
#JulesVerne
#TechPhilosophy

Sci-fi writer Ted Chiang has words of wisdom about so-called AI consciousness:

💬 “it is fundamentally dishonest to have a machine emit many categories of sentences, including any sentences using first-person pronouns.”

I said this exactly three years ago. We’re still being gaslit by machinery that calls itself a person.

#AIHype

💬 ”Roughly speaking, the world is divided into two classes: those who use the Card Index System and those who do not.”
Byles, R. B, 1911. The card index system; its principles, uses, operation, and component parts (London: Sir Isaac Pitman & Sons), page v.

Still true after more than a century!

Auto-generated description: A four-drawer cabinet with decorative handles and label holders is shown in this image.

#Zettelkasten
#NoteTaking
#PKM

“There’s a great strength in me showing you a chord or a riff or something, and it’s just going from mind to mind, there’s no paper involved. All of what we did in this very studio would be that. It was really an immediate transference of ideas.”
– Paul McCartney on The Rest is History podcast on YouTube.

This chimes with the Japanese concept of ishin-denshin, heart-to-heart communication, which is central to the Shu Ha Ri way of learning I’ve written about.

Three of the Beatles are gathered in a studio, holding guitars and engaging in conversation with George Martin.

Currently reading: Eight Million Ways to Happiness by Hiroko Yoda 📚

Japan is a deeply secular country full of shrines, temples, festivals and ceremonies. This book unpacks the paradox by exploring spiritual life in Japan as it’s actually lived, not the rather warped Western fantasy version.

Atomic notes have a long history

Did previous generations ever think much about atomicity of ideas in their notes? After all, if most people were using notebooks, surely they didn’t need to consider how long their notes should be – they could just keep writing till they were done.

It seems thinking about atomicity was a major element (pun intended) of mathematics and philosophy at the start of the 20th century. Bertrand Russell’s ’logical atomism’ was very influential. Russell said:

“you can get down in theory, if not in practice, to ultimate simples, out of which the world is built, and that those simples have a kind of reality not belonging to anything else” (‘The Philosophy of Logical Atomism’ 1918: 270).

A similar positivism (where the universe is made of discrete entities rather than one great holism) was a major feature of the efforts to catalogue the world’s knowledge centered on Paul Otlet’s ‘Mundaneum’ into the 1930s.

A diagram by Paul Otlet depicting the relationship between the universe, intelligence, science, and books, with visual representations of concepts like intelligence, science, books, bibliography, encyclopedia, and classification.

Otlet inspired the ‘documentalists’ to reformulate information science in the post-war period, including Vannevar Bush, the originator of the ‘Memex’, which was a precursor to the desktop computer.

Douglas Engelbart further pioneered the way we now use computers. In his paper on augmenting human intellect (1962) he referred to his notes on edge-notched cards as ’thought kernels’, ‘concept packets’ and ‘kernel statements (cards)’ but the established concept behind this was the ‘unit record system’. This had originated in 1888 when H.E. Davidson of Melvil Dewey’s Library Bureau realised he could sell catalogue cards and shelving to commercial businesses to improve their record keeping, previously constrained in ledger books. Engelbart said:

“Mainly what is new is the use of the smaller units of information in restricted-subject sets (notedecks) so that I gain considerable flexibility in the manipulations of my thought products at the level at which I actually work in my minute-by-minute struggle with analytical and formulative thought. Not only do my own thoughts produce results in this fashion but when I digest the writings of another person I find generally anyway that I have extracted from his structure and integrated into my own a specific selection of facts, considerations, ideas etc. Often these different extracted items fit into different places in my structure or become encased in special substructures as I modify or expand his concepts. Extracting such items or kernels and putting each on its own notecard helps this process considerably–the role or position of each such item in the growth of the note structure is independent, and yet if desired all can quickly be isolated and extracted…” (Engelbart, 1962: 57)

The features Engelbart found he couldn’t get from his use of cards – that was precisely what he set out to obtain by means of the digital computer.

Anyway, this is a long-winded way of saying earlier generations thought a lot about atomicity – more even than I had realised!

Now read: The shortest writing session that could possibly be useful

Note: This post started life on Reddit


I’m the author of Shu Ha Ri: The Japanese Way of Learning, for Artists and Fighters, available now.
And if you found this article interesting you might like to sign up to the Writing Slowly weekly email digest. You’ll receive all the week’s posts in a handy email format which masks how they were all created one by one like little atoms.

I’m very interested in Brett Terpstra’s Mac app, Marked3, launched today on Product Hunt.

It’s a utility that gives markdown documents superpowers. I’m testing this out for a week but already expect to be buying it. Anyone else using it?

#Markdown #MacApps #WritingTools

We are very close to a prompt to fan fiction model of publishing.

I heard this on the Author Update Podcast and it’s a shift I predicted at the start of 2024: Soon we’ll all be writing the books we want to read.

📷 Stormy weather is a great time to take photographs.

Waves wash onto a sandy beach under a cloudy sky at dusk, with a distant rocky headland and the scattered lights of houses clinging to the cliffs.

Watched: Resurrection 🍿

An amazing experience. More fragmented than Bi Gan’s previous movies, but easily as engaging. There were many nods to cinema history, and an article by Xinyuan Wang helped. Essential viewing, and not just for the virtuoso 30-minute-long single shot near the end.

Some books on writing:

Hidalgo, César A. 2025. Infinite Alphabet: and The Laws Of Knowledge. Allen lane.

Fletcher, Angus. 2022. WonderWorks: Literary Invention and the Science of Stories. London: Swift Press.

Smith, Emma. 2023. Portable Magic: A History of Books and Their Readers. Penguin Books.

The expert’s trap is where you start thinking of yourself as having gone beyond the need to learn anything new.

What did the legendary Zen maverick Ikkyū Sōjun teach about overcoming the expert’s trap? Find out in The Paradox of Mastery.

#ShuHaRi #Learning #Buddhism #ContinuousLearning #Japan

The Paradox of Mastery: Why the Expert Must Remain a Beginner

A Zen Buddhist master hands his successor a formal certificate of mastery. The successor burns it. Why?

No, it’s not a Zen koan but it almost could be.

The name for such a certificate in Japanese is inka. This word might be translated as a ‘seal of approval’, but it’s hardly that straightforward.

In the original transcripts of Shunryu Suzuki’s teachings, the foundation for his influential book “Zen Mind, Beginner’s Mind”, he describes the inka as both profound and vacuous at the same time.

The inka, this formal paper, might represent decades of practice, but it also subtly indicates the need to abandon the very idea of mastery. If you’re an intellectual hunting for a hidden formula, the paper might appear to you as a riddle to be solved. But to the practitioner who inhabits “beginner’s mind” (shoshin), there’s no clever secret to be interpreted, it’s just a transparent occasion for a sincere “Thank you.”

Westerners might be tempted or conditioned to treat the inka like a diploma. Is it proof you’ve arrived? Is it a trophy? Or is it a kind of finish line? In fact, the moment you view the paper as a “result” like this, you’ve fallen into the expert’s trap.

##Expertise Closes the Mind

The expert’s trap is where you start thinking of yourself as having gone beyond the need to learn anything new.

Imagine a master chef in a restaurant with a once-great reputation that’s now on the slide. They’ve cooked that signature dish a thousand times. The knife work is flawless. Their timing is impeccable. But somewhere along the way, they stopped tasting. These days they plate up by means of muscle memory, not joie d’esprit. They season by formula. The dish is technically perfect but spiritually dead. This sense that it’s all been done before? That’s the expert trap.

Or consider a concert pianist. They play Chopin and Bach with a technical precision that sets critics agog, yet to the audience the performance feels mechanical and airless. Though they hit every note and these notes reach the ears, they just don’t make it as far as the heart. This is what happens when expertise goes rigid and calcifies – and this is the expert trap.

Suzuki warned: “In the expert’s mind there are few possibilities.” As we solidify our knowledge, the mind loses its inherent fluidity. We stop seeing what’s in front of us because we’re too busy recognizing patterns we’ve seen before. Conventional expertise becomes empty in the worst sense: not the fertile emptiness of Zen, but the closed system of someone who thinks they already know what there is to know. That’s the expert’s trap, right there.

Mastery Means Returning to Innocence

Skill in itself isn’t the problem. In Shu Ha Ri: The Japanese Way of Learning, for Artists and Fighters I introduced a time-honoured map of the learning journey: first you follow rules (Shu), then you break them (Ha), and finally you transcend them (Ri). You never abandon the rules, though. Instead, you internalise them. That’s why improvisation is bewildering. To a beginner, improv can seem like an impossible freedom from all convention. But a jazz musician must master scales deeply before they can improvise freely. Improvisation may sound like the free–expression of a beginner, but paradoxically only an expert can do it justice.

True expertise is the Ri stage. Technique becomes so ingrained that it disappears. And the expert returns to the spontaneous state of the beginner. They’ve travelled full circle. Their beginner’s mind is now informed by ten thousand hours of practice, but it remains open, curious and alive.

The master and the beginner see with the same freshness.

The master simply climbed a mountain to return to the valley.

That’s the journey out of the expert’s trap.

Why did Ikkyū Burn the Certificate ?

The ultimate expression of this came from the iconoclastic Zen master Ikkyū Sōjun. Last year, I visited Lake Biwa, the legendary location where Ikkyū heard the cry of a crow, which jogged him to attain enlightenment. Despite plenty of modern development on the lakeshore, the lake itself remains a vast, still place. And in many places it still looks much as it might have in Ikkyū’s day. It’s still a fitting backdrop for a mind stripping away illusions.

When his teacher presented him with the inka, Ikkyū famously trampled on it. Then, as though that wasn’t enough, he tore it to pieces and threw it in the fire. By burning the ‘proof’ of his mastery, he demonstrated the secret that true realization can’t be commodified or archived. It exists only in the living moment, in the quality of attention you bring right now. Despite how it might look to us, the burning wasn’t an insult to his teacher. Rather, it showed he understood at a deeper level.

A scenic view over Lake Biwa near Kyoto showcases lush foliage framing a distant body of water and mountains in the background.

I took this photo of Lake Biwa from the Eastern slopes of Mount Heiai. On this lake the maverick monk Ikkyū attained enlightenment - in legend at least.

Try This Today

OK, so what practical difference does this make? Today, choose one skill where you consider yourself proficient. Your profession. A hobby. Even something simple like how you make your morning coffee. Approach it as if you know nothing. Try performing it with your non-dominant hand. Or ask a child to show you their approach. Or read an introductory tutorial as if for the first time.

Notice what you’ve stopped seeing because you ‘already know.’ Does your expert ego resist? Does it feel foolish, a waste of time? Or do you catch a glimpse of the strange wonder of not knowing? The possibilities that only appear when you release your grip on certainty?

You might well be an expert. You might well posses certificates to prove it (that you haven’t burned), or you might have many hours of experience under your belt. Or maybe the evidence of your expertise lies all around, in the things you’ve built. But today remember this: The inka is just paper. The wisdom lies in burning it. Because expertise is just an opinion. Part of being able to do something really well is knowing how much better still you could become. The mastery is in the continual learning.

Further Reading

Zen Mind, Beginner’s Mind by Shunryu Suzuki – A guide to the attitude of shoshin and the foundation for the ideas in this post.

Extraordinary Zen Masters: A Maverick, a Master of Masters, and a Wandering Poet by John Stevens – Includes the definitive biographical account in English of Ikkyū Sōjun’s wild, iconoclastic life.

Shu Ha Ri: The Japanese Way of Learning, for Artists and Fighters by Richard Griffiths – An exploration of the stages of mastery and how to move from rigid rules to spontaneous freedom.

Crow with No Mouth (translated by Stephen Berg) – A collection of Ikkyū’s own “crazy cloud” poetry that captures his visceral, non-institutional approach to Zen.


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And you can also buy my book, Shu Ha Ri: The Japanese Way of Learning, for Artists and Fighters.

On Friday we learned our cat, who has visited Writing Slowly several times, has a terminal illness, with just weeks to live.

I’m deeply sad. He has been my close companion through years of working from home. To discover I could feel this way about a cat is a harsh gift, but a gift all the same.

A tabby cat with wide eyes is peering out from under a piece of furniture.

💬 “Our conventional response to all media, namely that it is how they are used that counts, is the numb stance of the technological idiot. For the ‘content’ of a medium is like the juicy piece of meat carried by the burglar to distract the watchdog of the mind.” — Marshall McLuhan

Whether you’re interested in making your own containers for ‘content’ or in challenging the whole paradigm, the key is to create new ways of being human.

Read more: What’s the future of creative work without human intent?

#AmWriting #Creativity #Fediblog #MediaTheory

Memory isn’t a static recording but a constant act of reconstruction. Every time we revisit a note or a book, we are weaving together the original content with our current environment and past self.

“We construct and reconstruct our memories every time we attempt to recall them.”

So how do we decide what’s worth preserving and what we must allow ourselves to forget? Explore the “differential allocation of attentional resources” in this look at the fallibility of memory.

Link: writingslowly.com/2026/05/1…

#CognitiveScience #Philosophy #Memory